Is it time to go back to making paper magazines? How editorial contents adapt to the media on which they spread

At the Spazio Maiocchi in Milan, 1,000 square meters of lofts transformed from those of Slam Jam into a place for cultural events, every last weekend of November SPRINT, the hall for independent publishers and art books, takes place. Organized by the no profit association O', SPRINT offers free space to a selection of independent publishers who wouldn't have physics display in any other way. When I was there last month - after being severely scolded by my millennial hookers Giulia Geromel and Sofia Del Bene because I didn't know what it was - I found myself in front of a seething of people interested in creativity in paper format and nostalgic for printing house. I thought to be landed in the past, which instead was a place in the present and perhaps a little bit in the future.

The topic of managing the quality of content is what emerges in the form of an urgent request from this newfound love for print publishing and although it is possible to find even a high degree of depth on social media, this osmosis is only at the beginning. Making heavy, expensive, slow, difficult and deep paper newspapers should not be the way to put a medal of value on projects that actually feed on speed and superficiality but should become a form of training for those who suffer from heaviness and slowness. met only on the high school desks and hated them and for those who, living every day watching a phone, might find that the quality of the study has something intrinsically attractive. Much, much more than a group of nuns dancing.